⭐⭐⭐⭐⭐ Lady Macbeth Power Quotes
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Top 5 Quotes that show Lady Macbeth’s Power in Macbeth
She implies that he must be weak—weaker than his wife, weaker than a nursing mother—if he cannot keep his vow to take the throne. Elizabethan audiences would have been repulsed by Lady Macbeth's raw ambition and reversal of traditional sex roles. Just as her husband crossed moral boundaries, Lady Macbeth defied her place in society. In the s, she may have appeared as weird and unnatural as the witches with their eerie incantations. Today's attitudes are very different, yet ambitious and powerful women still arouse suspicion. Critics and conspiracy theorists have used the name "Lady Macbeth" to deride public figures like Hillary Clinton and Julia Gillard. Macbeth speaks these lines immediately after murdering the king.
To "murder sleep" has a double meaning. Macbeth has killed a sleeping man, and he's also killed his own serenity. Macbeth knows that because of this action, he will never be able to rest peacefully. The guilt Macbeth feels stirs hallucinations and gruesome visions of blood. He's shocked by the sight of his murderous hands. Lady Macbeth shares Macbeth's crime, but does not immediately show guilt. She coldly returns the daggers to the crime scene and smears blood on the king's sleeping grooms so that they will be blamed. The king is only one of many killings during Macbeth's bloody reign. To hold onto his ill-gotten crown, he orders the slaughter of his friend Banquo and the entire household of Lord Macduff, the Thane of Fife.
Macbeth suffers fits of hysteria and hallucinates Banquo's ghost with blood-clotted hair. But it's the hard-hearted Lady Macbeth who eventually collapses under the weight of guilt, and she is the one who gives this monologue. Sleepwalking, she wrings her hands and babbles about the stain of so much spilled blood. The phrase "Out, damned spot! Lady Macbeth's distraught words have been used in advertisements for products ranging from household cleaners to acne medicines. But this is the raving of a woman who teeters on the brink of madness. Parts of Lady Macbeth's monologue, like the incantation of the witches, depart from the traditional iambic pentameter.
In a metrical pattern called a spondee , she strings together syllables that have equal weight: Out-damned-spot-out. Since each one-syllable word is equally stressed, the emotional tension is heightened. Readers or listeners are more likely to feel the impact of each word. The words themselves seem nonsensical. They are non sequiturs , jumping from thought to thought. Lady Macbeth is reliving all the crimes, remembering sounds, smells, and images.
One after the other, she names murder victims: the king "the old man" , Macduff's wife, and Banquo. Unable to recover from her guilt, Lady Macbeth kills herself. When this news reaches Macbeth, he's already in deep despair. Abandoned by his noblemen and knowing his own days are numbered, he delivers one of the most desolate soliloquies in the English language.
In this extended metaphor , Macbeth compares life to a theatrical performance. Days on earth are as short-lived as the candles that illuminate the Elizabethan stage. Each person is nothing more than a shadow cast by that flickering light, a silly actor who struts about and then vanishes when the candle is snuffed. In this metaphor, nothing is real and nothing matters. Life is "a tale told by an idiot… signifying nothing. Poet Robert Frost borrowed a phrase for his poem, " Out, Out —. Ironically, Shakespeare's tragedy ends soon after this somber speech. It's easy to imagine audiences blinking from the theater, wondering, What's real?
What's illusion? Are we part of the play? Share Flipboard Email. Macbeth Study Guide. Jackie Craven. Art and Architecture Expert. Jackie Craven has over 20 years of experience writing about architecture and the arts. She is the author of two books on home decor and sustainable design. Facebook Facebook Twitter Twitter. Updated November 30, Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Macbeth does murder sleep. Will all great Neptune's ocean wash this blood Clean from my hand?
No, this my hand will rather The multitudinous seas in incarnadine, Making the green one red. What need we fear who knows it, when none can call our power to account? The thane of Fife had a wife: where is she now? As Macbeth once again bursts out in a speech directed at the ghost, Lady Macbeth tries to smooth things over with the guests. Lady Macbeth asks the guests to leave, since Macbeth's "illness" seems to be deteriorating.
Alone with Lady Macbeth, Macbeth expresses his deep anxieties and vows to return to the Weird Sisters. On the heath, the witches meet Hecate, queen of witches, who chastises them for meddling in Macbeth's affairs without involving her or showing him any fancy magic spectacles. She tells them that Macbeth will visit them tomorrow and that they must put on a more dramatic show for him. Lennox and another lord discuss politics. Lennox comments sarcastically on the recent deaths of Duncan and Banquo. He suggests that it seems implausible for Malcolm and Donalbain to be inhuman enough to kill their father. Moreover, Macbeth's slaying of the bodyguards seemed very convenient, since they probably would have denied killing Duncan. Lennox proposes that if Malcolm, Donalbain, and Fleance were in Macbeth's prison, they would also probably be dead now.
He also reveals that since Macduff did not attend Macbeth's feast, he has been denounced. The lord with whom Lennox speaks comments that Macduff has joined Malcolm at the English court. The two men have apparently asked Siward to lead an army against Macbeth. Lennox and the lord send their prayers to Macduff and Malcolm. When Macbeth demands whether the murderers have the courage to kill Banquo, they answer "we are men, my liege" III i But their answer does not satisfy Macbeth, who berates them as less-than-exemplary examples of men. Macbeth thus uses very much the same goading tactics his wife used in compelling him to kill Duncan. Both Macbeth and his Lady seem to have a clear idea of properly masculine actions.
She claims that she herself is less "full o' th' milk of human kindness" than Macbeth—that is, more capable of casting away the last shreds of compassion, tenderness, loyalty, and guilt. Lady Macbeth is not the only character that values ruthlessness as a masculine trait. Duncan, too, evaluates heroic action on a rather gory scale. The catch, of course, is that the bloodshed must be justified. Whereas Macbeth needs no reason to slay Macdonald in battle per se, the two murderers require the justification that Banquo is an evil man. The theme of stains and washing runs throughout the play. Even when Macbeth has Banquo killed at a safe distance from himself, the spilled blood still returns to haunt Macbeth. When the murderer shows up to report his success, Macbeth observes: "There's blood upon thy face" III iv Banquo's murder itself makes use of a common theme in Shakespeare's plays: the contrast between light and dark.
While the murderers wait for Banquo and Fleance to approach, one of them observes that the sun is setting. This is no coincidence: Banquo serves as a bright contrast to the dark night that accompanies Macbeth's rise to power. He is a man who does not allow his ambitions to eclipse his conscience. At the moment that he dies, therefore, it is appropriate for the last remnant of sunlight to fade away.
Such symbolism is reinforced by the fact that Banquo and Fleance approach the murderers carrying a torch. The torchlight is the first thing that the murderers see: "a light, a light" notes the second murderer III iii And after the deed is finished, the third murderer asks: "who did strike out the light? At the same moment that the good and kind Banquo dies, the light is extinguished. Another aspect of Banquo's murder has intrigued generations of scholars: who is the third murderer? Others believe that it is Macbeth himself, who could not trust the murderers fully. The third murderers could even be the three witches in disguise. In any case, introducing a third murderer rounds out the number of murderers so that they balance the three witches.
There is power in the number three: Macbeth meets three witches, commits three separate murders, and sees three apparitions. The number three recurs throughout the play, adding to its mysterious and magic atmosphere. Finally, one of the most compelling scenes in Macbeth takes place at the banquet haunted by Banquo's ghost. Once again, the boundaries between reality and the supernatural are blurred as Banquo's ghost appears twice—both at exactly the moment Macbeth mentions him. Just like the dagger, Banquo's ghost appears to be a realization of Macbeth's guilt. Even if the occurrence is supernatural, the event is very real for Macbeth. The Question and Answer section for Macbeth is a great resource to ask questions, find answers, and discuss the novel. How did Macbeth view change?
How was fate shown in Macbeth? The plot of Macbeth is set in motion ostensibly by the prophecy of the three witches. The prophecy fans the flames of ambition within Macbeth and Lady Macbeth, serving as the primary impetus for the couple to plot the death of Duncan--and
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